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Lloyd Hue, Visual Artist

Miami-based artist and educator dedicated to inspiring creativity, sharing the power of visual storytelling, and making art accessible in classrooms, museums, and community spaces.

Miami-based artist and educator dedicated to inspiring creativity, sharing the power of visual storytelling, and making art accessible in classrooms, museums, and community spaces.

Collections

Acrylic on Canvas

2024

Paper Mache

2024

Ceramics

2024

About Me

Born in Queens and raised in Miami, I’ve always felt connected to art—right down to my last name, Hue. From an early age, I was captivated by artists like Frida Kahlo, Vincent van Gogh, and Salvador Dalí, whose creativity shaped the way I see the world.

My father, a respected construction engineer in the Cayman Islands, taught me discipline, determination, and the value of building with purpose—principles that guide my work today.

I earned my Bachelor of Science in Art Education from Florida International University, where I deepened both my artistic skills and my commitment to creative learning. I love creating art, but I’m equally passionate about helping others discover their own creative voice. Teaching art empowers students to express themselves, build confidence, and connect with their community.

I’m currently pursuing roles in art education, museums, community arts programs, and arts administration. Whether in a classroom, gallery, or workshop, my goal is to share my genuine love of art and inspire others to appreciate and explore it.

Portfolio

“Apocalypse” (2024)

Acrylic on cotton canvas, 18 x 24 inches

Concept: “This piece explores surrealism through the blending of dream and reality, using symbolic imagery to show the tension between the conscious and subconscious mind.”

Technique: “Acrylic paint used to achieve a soft texture, The use of light and shadow creates an atmosphere where reality bends into the dreamlike.”

Design Intent: “The lighthouse, mountains, sun, and houses, set against an impossibly still sea, guide the viewer toward a perception of the subconscious. The landscape, populated by birds soaring in formations and rocks invites a shift to exploration.”

Outcome: “The work highlights skill in creating dreamlike atmospheres where elements converge, challenging the viewer’s perception of reality.”

“Maze” (2024)

Acrylic on cotton canvas, 18 x 24 inches

Concept: “This piece explores surrealism through random, everyday objects, each symbolizing thoughts, emotions, and memories in a dreamlike, distorted reality. The combination of ordinary items, like a pool ball, broken glass, and a Rubik’s Cube, within an altered reality, challenges the viewer’s perception of logic and meaning.”

Technique: “Acrylic paint used to bring these everyday objects to life, carefully blending vivid color with contrasting textures. The objects are creating a visual tension that mimics the unpredictable nature of the subconscious mind.”

Design Intent: “The broken glass, scattered heads, and mismatched elements like a Rubik’s Cube or a Lego piece guide the viewer toward a perception of disjointed mental states and fragmented identity. These objects are placed to challenge the viewer’s understanding of order, logic, and emotion.”

Outcome: “The work highlights ability to manipulate acrylic paint to transform familiar objects into surreal symbols, creating a visual narrative that invites the viewer to explore the boundaries of reality and the subconscious.”

“Slither” (2024)

Acrylic on cotton canvas, 18 x 24 inches

Concept:
“This piece explores the tension between vulnerability and predation through an woodland encounter. By placing snakes, a rabbit, and tree branches  within a rocky setting, the work examines the balance of life and instinct.”

Technique:
“Acrylic paint used to achieve a textured, tactile surface that enhances depth and natural detail. Glazing and dry-brushing techniques were used.

Design Intent:
“The curving movement of the snakes and the angled tree branch guide the viewer’s eye toward the central rabbit, shaping both a sense of motion and underlying tension.”

Outcome:
“The work highlights skill in acrylic layering, texture building, and symbolic composition.”

“Crocodile Creek” (2024)

Acrylic on cotton canvas, 18 x 24 inches

Concept: “This piece explores how memory shapes identity, using the swamp at night as a metaphor for the shifting layers of the past. Many people have families who live near swamps and at night time they see crocodiles. The crocodiles, moonlit water, and surrounding trees create a scene where recollection feels illuminating.”

Technique: “Acrylic paint used to build depth within the dark swamp environment. Thin layers allowed the moonlight to glow on the water and the crocodiles.

Design Intent: “Color shifts guide the viewer through emotional stages—cool blues and greens give it a calm mood while warmer highlights around the crocodile eating a fish introduce moments of sharp memory.”

Outcome: “The work highlights control of atmospheric blending, showing how transitions in acrylic can evoke mood, space, and tension.”

“Jamaica Vibes” (2024)

Acrylic on cotton canvas, 18 x 24 inches

Concept: “This piece explores personal reflection through the tranquility of a Jamaican landscape. By placing myself within the scene surrounded by mountains, ocean, palm trees, and small island houses. The work considers how travel shapes perspective and inner calm.”

Technique: “Acrylic paint used with layered washes and controlled brushwork to achieve a sun-drenched effect across the mountains, water, and Island.

Design Intent: “The curve of the shoreline and the placement of small boats guide the viewer toward a sense of peaceful immersion, echoing the ease and warmth of a vacation moment.”

Outcome: “The work highlights skill in acrylic landscape painting, atmospheric color blending, and composing lively environments.”

“Pool Table Vision” (2024)

Acrylic on cotton canvas, 11 x 14 inches

Concept: “This piece explores how memory shapes identity, using surreal colorful pool balls, a formal suit, moon craters bursting with color, and a cowboy hat on top of a cyclone to express the unpredictable nature of recollection.”

Technique: “Acrylic paint used and layered glazing to build depth, allowing each surreal element to feel both vivid and dreamlike, as though rising and sinking through shifting layers of memory.”

Design Intent: “Color shifts guide the viewer through emotional stages, with the bright pool balls and moon craters showing playful recollections, while the suit and cyclone introduce moments of tension.

Outcome: “The work highlights control of atmospheric blending, showing how smooth transitions and layered color can unify surreal elements into a emotional landscape.”

“Venom” (2024)

Acrylic on cotton canvas, 8 x 10 inches

Concept: “This piece explores the tension on perception through a surreal fusion of symbolic figures and identities. The skull, the blind man with sunglasses and hanging eyeballs, zombie hands, a machine-like figure, a dragon ball, and ancient man all serve as overlapping metaphors for how we see and fail to see truth.”

Technique: “Arylic paint used with layered glazing and controlled detailing to achieve a vivid, dimensional effect that allows each surreal element to feel both tangible.”

Design Intent: “The arranged flow of figures from the skull to the blind man and outward toward the mechanical and mythological figures guides the viewer toward an intended perception of shifting realities and unstable identity.”

Outcome: “The work highlights skill in surreal composition, acrylic layering, and symbolic visual storytelling.”

“Still Life Ceramics” (2024)

Acrylic on cotton canvas, 18 x 24 inches

Concept: “This piece explores how memory shapes identity, using a still life of diverse ceramics to symbolize the way experiences accumulate—each cup, vase, and candle holding its own story within a larger collective arrangement.”

Technique: “Acrylic paint used and layered glazing to build depth, allowing the colorful surfaces of the ceramics to glow with shifts in hue while maintaining the crisp clarity of the white background.”

Design Intent: “Color shifts guide the viewer through emotional stages, moving across the many varieties of vibrant tones to suggest memories that are warm, reflective, joyful, or muted.”

Outcome: “The work highlights control of atmospheric blending, demonstrating how smooth transitions and layered acrylic techniques can bring still-life objects to life with emotion.

“Fruit of Life” (2024)

Acrylic on cotton canvas, 18 x 24 inches

Concept: “This piece explores emotional resilience through a Frida Kahlo inspired arrangement of vibrant fruits and symbolic objects. The oranges, apples, grapes, pears, lemons, raspberries, blueberries, and strawberries—paired with  vases evoke themes of abundance, and inner strength.”

Technique: “Acrylic paint used with layered glazing and brushwork to achieve color saturation painterly surface reminiscent of Kahlo’s bold visual language.”

Design Intent: “The placement of the fruits and the design of the vases guides the viewer toward an intended perception of personal symbolism, and emotional depth.”

Outcome: “The work highlights skill in color harmony, symbolic composition, and acrylic layering techniques inspired by Frida Kahlo’s expressive style.”

“Jumbo Dominoes” (2024)

Acrylic on wood

Concept: “This piece explores how creative you can be when you put your mind to something. Many families love dominoes so jumbo dominoes made out of wood seems super cool.

Technique: “Acrylic paint used to paint the jumbo wooden dominoes. I used acrylic red, blue, yellow, white, and black to create saturated surfaces that feel both playful and reflective.”

Design Intent: “Color shifts guide the viewer with a variety of different color dominoes.

Outcome: “The work highlights control of atmospheric blending, demonstrating how layered acrylic color can bring a 3D design to life.

“Fruit Basket” (2024)

Paper mache of organic objects

Concept: “This piece explores the beauty of everyday simplicity through a handmade paper mache fruit basket filled with oranges, apples, and lemons. The work reflects how ordinary objects can carry warmth, and memory.”

Technique: “Paper mache used and acrylic paint to achieve a textured, handcrafted visual effect that gives each fruit a lively presence.”

Design Intent: “The arrangement of the fruit within the basket guides the viewer toward an appreciation of natural form, color harmony, and the charm of handmade objects.”

Outcome: “The work highlights skill in sculptural crafting, surface painting, and translating everyday subjects into expressive paper-mache forms.”

“Best Buds Forever” (2024)

Stoneware clay – greenware stage

Concept: “This piece explores how memory shapes identity, using playful clay figures of SpongeBob and Patrick to reflect nostalgia and the experiences of childhood that linger in memory.”

Technique: “Stoneware clay used to create the cartoon figures which are in the greenware stage to build depth, allowing textures and surface variations before firing.”

Design Intent: “The expressive forms and gestures of the characters guide the viewer toward a sense of joy, familiarity, and reflection on personal memories.”

Outcome: “The work highlights skill in clay modeling, early-stage glazing, and creating emotional resonance through sculptural form.”

“Caribbean Ceramics” (2024)

Stoneware clay – greenware stage

Concept: “This piece explores cultural identity and everyday life through a collection of handmade Caribbean inspired ceramics. The assortment of bowls, teapots, skillets, cups, vases, an iron board, and a toothpick holder reflects artistic expression rooted in Caribbean tradition.”

Technique: “Stoneware clay used and hand-building techniques to achieve a organic surface that emphasizes the individuality and uniqueness of each piece.”

Design Intent: “The variety of forms and textures guides the viewer toward an appreciation of craftsmanship, cultural heritage, and the artistry embedded in everyday objects.”

Outcome: “The work highlights skill in stoneware clay construction, functional ceramic design, and creating collections with expressive character.”

“Caribbean Ceramics” (2024)

Stoneware clay – greenware stage

Concept: “This piece explores cultural identity and everyday life through a collection of handmade Caribbean inspired ceramics. The assortment of mini cups, hot sauce bottles, salt and pepper containers, and mini shelves  reflects artistic expression rooted in Caribbean tradition.”

Technique: “Stoneware clay used and hand-building techniques to achieve a organic surface that emphasizes the individuality and uniqueness of each piece.”

Design Intent: “The variety of forms and textures guides the viewer toward an appreciation of craftsmanship, cultural heritage, and the artistry shown in everyday objects.”

Outcome: “The work highlights skill in stoneware clay construction, ceramic design, and creating collections with expressive character.”

“Caribbean Ceramics” (2024)

Stoneware clay – greenware stage

Concept: “This piece explores cultural identity and everyday life through a collection of handmade Caribbean inspired ceramics. The assortment of potatoes, iPod earbuds chargers, strawberries, cartoon characters, and gardening tools  reflects artistic expression rooted in Caribbean tradition.”

Technique: “Stoneware clay used and hand-building techniques to achieve a organic surface that emphasizes the individuality and uniqueness of each piece.”

Design Intent: “The variety of forms and textures guides the viewer toward an appreciation of craftsmanship, cultural heritage, and the artistry shown in everyday objects.”

Outcome: “The work highlights skill in stoneware clay construction, ceramic design, and creating collections with expressive character.”

“Caribbean Ceramics” (2024)

Stoneware clay – glazeware stage

Concept: “This piece explores cultural identity and everyday life through a collection of handmade Caribbean-inspired ceramics. The assortment including bowls, teapots, skillets, cups, vases, an iron board, toothpick holders, mini cups, hot sauce bottles, salt and pepper containers, mini shelves, potatoes, iPod chargers, strawberries, cartoon characters, and gardening tools all reflects artistic expression rooted in Caribbean tradition.”

Technique: “Stoneware clay used and hand-building techniques to create all objects by hand then dipped and submerged all objects one by one into a variety of different liquid glaze with every piece fired to achieve a durable, finished surface that emphasizes the individuality and uniqueness of each form which is the final stage called glazeware stage.

Design Intent: “The variety of forms and textures guides the viewer toward an appreciation of craftsmanship, cultural heritage, and the artistry embedded in everyday objects.”

Outcome: “The work highlights skill in stoneware clay construction, functional ceramic design, glazing and creating  collections with expressive character.”